As a documentary filmmaker with five completed films behind me, I've rarely known in the beginning stages of a project just how a film would turn out, what exactly it would be about, what themes would be important and who would be central to the storytelling. Such is the case with my latest project. Early on in my filmmaking career, this kind of ambiguity or unknown path was disconcerting, but now I know it's as much a part of my process of documentary filmmaking as pulling my camera out of the bag.
In future blog posts I want to discuss the symbolism in and significance of this iconic Woodstock West image. |
What I hope to chronicle in this blog is my process of making the film. You'll come with me as I dig through the archives. You'll look over my shoulder as we fire up the camera and turn on the lights to do an interview with a student leader during Woodstock West or a professor or a police officer or a national guardsman. You'll see inside the process of acquiring music, images and film footage. You'll travel with us to different parts of the country and hopefully different parts of the world as we track down some of the key players from Woodstock West and try to find out how this moment in 1970 did or did not influence their life choices after they left Denver.
As work feverishly takes place on the Woodstock West: Build Not Burn website by the programmers and designers of Open Media Foundation here in Denver, I'm working on several other elements of our on-line strategy. I'll be talking about this work at the upcoming University Film and Video Association's national conference in Burlington, VT and will also share the process here on the blog.
So, I you're interested in how a documentary film comes together, stay tuned! We'll discover Woodstock West: Build Not Burn together!
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